December 1, 2016
The next edition of The Amazing Race will be a spring arrival… but it will be worth the wait! Cycle 29 kicks off with a two-hour premiere Friday, April 21, 2017, at 8/7c.
November 11, 2016
Old Stone (a.k.a. Lao Shi) premieres this weekend at AFI FEST. Screenings are Saturday, Nov. 12 at 1:15 PM and Sunday, Nov. 13 at 9:30 PM. Screenings at this festival are free and open to the public on a first come, first serve basis. In addition, the film will have a limited theatrical release starting Dec. 9 at the Landmark in Beverly Hills.
November 6, 2016
Scoring is complete on Lux in Effect.
November 3, 2016
Scoring is underway on Lux in Effect, a short film for director Iyin Landre. It's the first project in the new studio, which is just barely finished enough for work (!).
October 25, 2016
The studio is almost ready for action again after our move! Here's the "Before" picture, taken on our first day in the new space:
September 19, 2016
Old Stone (a.k.a. Lao Shi) has won Best Canadian First Feature Film at the Toronto International Film Festival. The picture makes its United States premiere November 30 in New York City.
September 8, 2016
Old Stone (a.k.a. Lao Shi) screens tonight at the Toronto International Film Festival. It will also screen at TIFF on September 14 and 15.
September 7, 2016
The latest episode of The Feeding Tube, Skeptoid Media's nutrition podcast, is up now.
August 5, 2016
Old Stone (a.k.a. Lao Shi) will make its North American debut at the Toronto International Film Festival this September. It will also screen at the IFC Center in New York starting November 30.
July 29, 2016
Scoring is now complete on No Blood of Mine (dir. Wesley Ellenwood).
May 27, 2016
This week's blog post takes a look at how to handle the ghosts of projects past.
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CUE OF THE WEEK
Today's Cue of the Week was actually music written to promote the publishing of a friend's short story. The Grimblebury, by Gregory Allen, is a thriller centered on the mysterious creature of the same name. This piece of music allowed more freedom than most traditional cues set to picture. As there were no concrete visuals, Allen's story and the images conjured therein became the primary inspiration. As this was also a marketing tool, the music had to immediately characterize the tone and genre of the story.
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