STUDIO NEWS

January 9, 2026

Is it too late to wish you a Happy New Year? Blame it on the constant firehose of things happening here at the studio—hardware and software upgrades; projects beginning and being finished; and the ultra-glamorous day-to-day life of a Hollywood composer (which is code for errands, chores, and laundry).

So far 2026 hasn’t been a banner year in the world at large. But I haven’t given up on it yet. I’m hoping for wonderful things in the months ahead, for myself and for all of you. Stay tuned.

December 5, 2025

The holiday crunch is upon us! There’s so much happening here at the studio as Old Man 2025 races toward the finish line. Here’s just a sample:

  • Scoring is complete on “CRONE,” the final third of Elizabeth Musgrave’s Womanhood: A Trilogy of Horror, and we’re now turning our attention to “maiden,” the first segment of the film.

  • My composing schedule for 2026 is filling up fast, with work on an independent dramatic feature, a feature-length science documentary, and a live concert (!) already planned.

  • The Amazing Race 38 season finale is this coming Wednesday, December 10 on CBS. Tune in to find out who walks away with the million-dollar prize!

Here’s wishing you all a wonderful holiday season… I hope it brings you love, laughs, and every good thing. Cheers—LHS

CUE OF THE MOMENT

From Cycle 2 of The Amazing Race (2002—!), this cue shows its age a bit, especially in the sound libraries I had at my disposal. It was so much fun to write, though, that I just have to include it here.

It was 24 years ago almost to the day that I wrote this—the creative brief was for me to quote the famous Ary Barroso song musically… just enough to make it feel Brazil-ian, but not so much that we’d get in legal trouble. And they asked for something that was “energetic as hell.” I think this delivers fairly well on both counts, although I love how lush and string-driven the original 1939 version is.
Cheers… or maybe I should say saúde!—LHS

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